#Cinesync free pro
cineSync Pro on Suicide Squad was a great example – those guys gave us some great feedback, which allowed us to enhance our integration with Shotgun, which was also used on the show. Rolly Empson, QA and Support Engineer: From a QA point of view, I love the customers that trust us enough to try our beta versions in production. VFX Legion run a similar distributed setup using cineSync for film post-production, which is cool to see.
Lots of people see the cloud as an extension of their facility, but RAW have fully embraced the idea of having no bricks and mortar at all, and Frankie is a big part of making that work. They don’t have an office or a fixed facility and they run everything remotely for advertising post-production. Robby Bartlett, Engineer: I spend most of my time working on Frankie – I find the way that the UK’s RAW Post are using Frankie to be the most interesting. In the background the execs could hear “What are you doing?” “Making a movie” “Wow, cool, are you a director or something?” “I sure am, baby!” The execs were all in a meeting room on the lot, but the director was on a couch at a party. Delivery was getting very tight and there was a massive budget on the line. Neil Wilson, CTO: We had a meeting with a major studio recently, who told us about a cineSync session they had with the director on one of their tentpole releases only a couple of weeks out from release. So cineSync indirectly became responsible for the very first character cross-over in what became the Marvel Cinematic Universe! I’m sure the royalties will start pouring in any day now… Rory McGregor. He said it actually started off as an in-joke – an artist at ILM added it into a shot as a gag during a cineSync session – but Favreau liked it so much he ended up leaving it in. Jon Favreau was asked how Captain America’s shield ended up in Tony Stark’s workshop in Iron Man. Rory McGregor, CEO: My favourite is an old story, but still relevant. Here they answer my questions about their favourite content right now, what they’ve heard about their tools in production and some blue sky ideas for where the tools could find other, more unconventional, uses… What is your favourite story about how cineSync or Frankie has been used lately in production? I don’t often have the opportunity to cover the use of these tools, so I thought I’d have some fun with the team, who are based in Adelaide. I’m talking about Cospective’s cineSync, a mainstay in teleconferencing reviews, and Frankie, the company’s browser-based solution. Tip: If you require ShotGrid/AWS S3/AliCloud Integration, HDR support, or SDI output, you need to purchase a cineSync 5 account which will grant access to these features.Some of the most-used apps in visual effects and post-production are ones that audiences rarely get to see. This allows versions to be added easily in cineSync review player and the notes exported back to ftrack.ĭetailed notes on this are further in this document. If you happen to be an ftrack customer also, then you use the ftrack Integration with cineSync 5.
#Cinesync free free
While cineSync applications have always been free to install, cineSync 5 review player is the first version to function as a standalone player on your desktop, enabling local, frame-accurate playback and review of high-res frame sequences, OTIO and OCIO support, and more.
#Cinesync free for free
If you are looking for the cineSync 4.2.8 User Manual, it can be found here.ĬineSync 5 uses our newly designed review player, which can be downloaded and installed for free on any OSX, Windows, or Linux machine. Please note: The following documentation gathers the collective wisdom of the new generation for cineSync: cineSync 5.
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